Das Bad

Mary Cassatt, 1890–1891

A woman kneels to test the water in a freestanding bathtub with one hand as she braces a nude child against her knee with the other in this vertical, colored print. The skin of both the woman and baby are the white of the paper. Their facial features and bodies are outlined with light brown, and their hair drawn in with faint black lines. The woman’s hair is pulled back from a high forehead, and she has a straight nose, pursed lips, and a slight double chin. Her long-sleeved, floor-length dress is a flat area of straw yellow. A few touches of teal blue near the neckline appear to have run into the surrounding ink. The baby turns toward the woman’s body and hangs their arms over her bracing hand. The baby has short, wispy, black hair with delicate facial features, a rotund belly, and satisfyingly pudgy rolls on the legs. The tub and the corner where the floor meets the wall are drawn in with brown lines. There are some smudges across the paper, especially at the edges.
Künstler
Mary Cassatt
Datierung
1890–1891
Gattung
Druckgrafik
Technik
color drypoint, softground etching, and aquatint on laid paper
Maße
32 × 24,8 cm
Sammlung
National Gallery of Art, Washington
Lizenz
Gemeinfrei, CC0

Bildbeschreibung

A woman kneels to test the water in a freestanding bathtub with one hand as she braces a nude child against her knee with the other in this vertical, colored print. The skin of both the woman and baby are the white of the paper. Their facial features and bodies are outlined with light brown, and their hair drawn in with faint black lines. The woman’s hair is pulled back from a high forehead, and she has a straight nose, pursed lips, and a slight double chin. Her long-sleeved, floor-length dress is a flat area of straw yellow. A few touches of teal blue near the neckline appear to have run into the surrounding ink. The baby turns toward the woman’s body and hangs their arms over her bracing hand. The baby has short, wispy, black hair with delicate facial features, a rotund belly, and satisfyingly pudgy rolls on the legs. The tub and the corner where the floor meets the wall are drawn in with brown lines. There are some smudges across the paper, especially at the edges.

Mary Cassatt