Albrecht Dürer

Albrecht Dürer made Nuremberg the centre of art north of the Alps – with woodcuts and engravings that spread throughout Europe.

Life

Born in Nuremberg in 1471, the son of a goldsmith, he first learned his father’s craft and then painting with Michael Wolgemut. Two journeys to Italy, in 1494–95 and 1505–07, acquainted him with the Renaissance. He published his own prints – the “Apocalypse” of 1498 made him famous. Emperor Maximilian I was among his patrons. He wrote books on proportion and geometry and died in Nuremberg in 1528.

Style & technique

Dürer’s strength is the line. In his engravings he used the finest strokes to create light, fur, metal and skin; his woodcuts are powerful and clear. He combined the close observation of nature typical of the north – the “Young Hare”, the “Great Piece of Turf” – with Italian theories of proportion and perspective. And he proudly placed his AD monogram in almost every picture.

Look closely

  • The monogram: find the large A with the small D inside it.
  • The hatching: cross-hatching and dots create light and shadow – use the zoom.
  • The details: blades of grass, hair, tools – nothing is incidental.

Timeline

  • 1471: Born in Nuremberg.
  • 1494–1495: First journey to Italy.
  • 1498: Woodcut series “Apocalypse”.
  • 1514: Engraving “Melencolia I”.
  • 1528: Dies in Nuremberg.

Works in the museum