Room 162
Henri Fantin-Latour
1836–1904, France (Grenoble, Paris), Realism
Fantin-Latour was a friend of Manet, Whistler and the Impressionists but stayed true to his own quiet style. He became famous for flower still lifes, much sought after in England, and for calm portraits. A passionate music lover, he made dreamlike lithographs inspired by operas by Wagner, Berlioz and Schumann.
All works
- Portrait of Sonia
- Pansies
- Still Life with Peaches and Grapes
- Duchess de Fitz-James
- Mademoiselle de Fitz-James
- Self-Portrait
- “Roses de Nice” on a Table
- Still Life with Mustard Pot
- Still Life
- Three Peaches on a Plate
- Still Life with Grapes and a Carnation
- Siegfried and the Rhine Maidens
- Madame Ditte
- Evocation of Kundry (2nd plate)
- Debut from “Paradise and the Peri” (3rd plate)
- The Magus Balthazar and Fatima
- Pastoral
- Manfred and Astarte (2nd plate)
- Manfred and Astarte (1st plate)
- Love Scene from Act III of "Lohengrin"
- Sieglinde and Siegmund from Act I of "The Valkyrie"
- Bacchus
- Truth
- The Rhinegold – The Rhine Maidens
- Bouquet of Roses
- Duet from “The Trojans” (6th plate)
- The Embroiderers
- Self-Portrait at Seventeen
- Debut from “Paradise and the Peri” (2nd plate)
- Self-Portrait