Portrait of a Nobleman

Französische Malerei 1425–1650, hacia 1570

Shown from the chest up, a pale-skinned man wearing a ruffled collar and ornately decorated doublet looks at us from the corners of his eyes in this vertical portrait painting. His shoulders and face angle to our left, but he gazes steadily our way with bright blue eyes under low, thin brows. He has a straight nose with a rounded tip, and his coral-pink lips are closed under a faint suggestion of a mustache and perhaps a beard. His short brown hair is brushed back from his high forehead, and his white collar curls in figure eights high along his chin and up the back of his neck. His doublet is brown patterned with gold horizontal stripes lined with silver zig-zags. Flower-shaped buttons lead down the front of his doublet from a high collar, and a long gold chain falls out of view below the bottom edge of the painting. His ivory-white sleeves have slashes in rows of alternating diagonals separated by gold embroidery. The background is dark ash brown.
Artista
Französische Malerei 1425–1650
Fecha
hacia 1570
Tipo
Pintura
Técnica
oil on fir or pine
Medidas
31,2 × 22,7 cm
Colección
National Gallery of Art, Washington
Licencia
Dominio público, CC0

Descripción de la imagen

Shown from the chest up, a pale-skinned man wearing a ruffled collar and ornately decorated doublet looks at us from the corners of his eyes in this vertical portrait painting. His shoulders and face angle to our left, but he gazes steadily our way with bright blue eyes under low, thin brows. He has a straight nose with a rounded tip, and his coral-pink lips are closed under a faint suggestion of a mustache and perhaps a beard. His short brown hair is brushed back from his high forehead, and his white collar curls in figure eights high along his chin and up the back of his neck. His doublet is brown patterned with gold horizontal stripes lined with silver zig-zags. Flower-shaped buttons lead down the front of his doublet from a high collar, and a long gold chain falls out of view below the bottom edge of the painting. His ivory-white sleeves have slashes in rows of alternating diagonals separated by gold embroidery. The background is dark ash brown.

Französische Malerei 1425–1650