The Archangel Gabriel

Italienische Malerei 1430–1460, hacia 1430

Shown from the knees up, a winged angel with blond hair and pale skin faces our right in profile with arms crossed at the chest in this vertical painting. A gleaming gold halo surrounds the head and curls lining the forehead and nape of the neck. The angel looks off to our right with silver-gray eyes, and wears a long gown decorated with a brick-red floral pattern against a black background. Gold, feathered wings extend from the shoulders, and the angel leans forward from the hips. The background behind the angel could be a portion of a wall made from stacked mustard-yellow horizontal bands, perhaps boards, that fills the left half. The right half is filled with swirling shades of caramel and earth brown, and both sides are partially framed with salmon-pink bands. A sliver of floor along the bottom of the painting is patterned with pine-green and burgundy-red tiles separated by cream-white bands.
Artista
Italienische Malerei 1430–1460
Fecha
hacia 1430
Tipo
Pintura
Técnica
Temple sobre tabla de álamo
Medidas
76,6 × 57,8 cm
Colección
National Gallery of Art, Washington
Licencia
Dominio público, CC0

Descripción de la imagen

Shown from the knees up, a winged angel with blond hair and pale skin faces our right in profile with arms crossed at the chest in this vertical painting. A gleaming gold halo surrounds the head and curls lining the forehead and nape of the neck. The angel looks off to our right with silver-gray eyes, and wears a long gown decorated with a brick-red floral pattern against a black background. Gold, feathered wings extend from the shoulders, and the angel leans forward from the hips. The background behind the angel could be a portion of a wall made from stacked mustard-yellow horizontal bands, perhaps boards, that fills the left half. The right half is filled with swirling shades of caramel and earth brown, and both sides are partially framed with salmon-pink bands. A sliver of floor along the bottom of the painting is patterned with pine-green and burgundy-red tiles separated by cream-white bands.

Italienische Malerei 1430–1460