Le Navire échoué

Mer et côte, 1844

A large, dark sailing ship to our left is stranded near the shore, angled dramatically away from us, in choppy waves under a periwinkle-blue sky streaked with gray and copper-colored clouds in this horizontal painting. Two tall masts on the ship angle steeply away, showing that the boat nearly lies on its side. The third mast is broken. The rigging is askew and the sails are tattered. Light catches a steel-blue band around the deck. Broken pieces of masts, swaths of limp, gray sails, thick rope, and a wooden barrel on its side are scattered along the beach in front of us. Bottle-green waves break gently on the beach, but white foam kicks up around the hull. Low, bronze-brown rocks jut outwards from the beach to our left. To our right, a pale, yellow sun glows hazily just over the horizon, which comes about a third of the way up the canvas. The dark gray clouds brighten to pale yellow, lavender purple, and mauve pink along the edges and near the sun. The artist signed and dated the painting as if he had inscribed a board lying in the shadow cast by the barrel in the lower right corner: “A.B.Durand 1884.”
Artiste
Mer et côte
Datation
1844
Catégorie
Peinture
Technique
Huile sur toile
Dimensions
94 × 129,5 cm
Collection
National Gallery of Art, Washington
Licence
Domaine public, CC0

Description de l’image

A large, dark sailing ship to our left is stranded near the shore, angled dramatically away from us, in choppy waves under a periwinkle-blue sky streaked with gray and copper-colored clouds in this horizontal painting. Two tall masts on the ship angle steeply away, showing that the boat nearly lies on its side. The third mast is broken. The rigging is askew and the sails are tattered. Light catches a steel-blue band around the deck. Broken pieces of masts, swaths of limp, gray sails, thick rope, and a wooden barrel on its side are scattered along the beach in front of us. Bottle-green waves break gently on the beach, but white foam kicks up around the hull. Low, bronze-brown rocks jut outwards from the beach to our left. To our right, a pale, yellow sun glows hazily just over the horizon, which comes about a third of the way up the canvas. The dark gray clouds brighten to pale yellow, lavender purple, and mauve pink along the edges and near the sun. The artist signed and dated the painting as if he had inscribed a board lying in the shadow cast by the barrel in the lower right corner: “A.B.Durand 1884.”

Mer et côte