Self-Portrait

Französische Malerei 1655–1739, 1707

The image shows a portrait of a man visible from the waist up, seated in a red cushioned chair, his body turned to the left and his face turned to us. His facial features include pale skin, dark eyebrows, slightly sagging cheeks, and pink lips in a neutral expression. His hair seems to be shaved, and his head is mostly covered by a white, striped head covering that resembles a beret. He wears a reddish-brown coat with white ruffled sleeves, and underneath a white collared garment and a light pink ribbon peek out. In his hands, the man holds drawing instruments, including a pencil or pen and a stack of papers. Behind him on the left are several small tan and white sculptures, including a nude male figure, a cherub, and a woman's head. Beside these sculptures are several paint brushes and a flat surface that could be a painter's palette. The walls behind him are gray.
Artiste
Französische Malerei 1655–1739
Datation
1707
Catégorie
Peinture
Technique
Huile sur toile
Dimensions
original canvas (approximate size): 90,5 × 71,1 cm
Collection
National Gallery of Art, Washington
Licence
Domaine public, CC0

Description de l’image

The image shows a portrait of a man visible from the waist up, seated in a red cushioned chair, his body turned to the left and his face turned to us. His facial features include pale skin, dark eyebrows, slightly sagging cheeks, and pink lips in a neutral expression. His hair seems to be shaved, and his head is mostly covered by a white, striped head covering that resembles a beret. He wears a reddish-brown coat with white ruffled sleeves, and underneath a white collared garment and a light pink ribbon peek out. In his hands, the man holds drawing instruments, including a pencil or pen and a stack of papers. Behind him on the left are several small tan and white sculptures, including a nude male figure, a cherub, and a woman's head. Beside these sculptures are several paint brushes and a flat surface that could be a painter's palette. The walls behind him are gray.

Französische Malerei 1655–1739