Madame René de Gas

Edgar Degas, 1872/1873

Shown from about the ankles up, a woman with ashen, pale skin, wearing a full, silvery-white dress with gray dots, sits on a low-backed white sofa against a pale peach background in this horizontal portrait painting. Just to our left of center, the woman sits with her body angled to our left and she looks in that direction with pale green eyes. Touches of green shade the inner corners of the eyes, and her complexion has a yellowish cast. Her pink lips are closed and her chestnut-brown hair is parted in the middle and pulled back. Her hands rest in her lap with wrists crossed. The dress darkens from eggshell white on the chest and sleeves to nickel gray on the skirt. Charcoal-gray dots create an irregular pattern that becomes looser as it moves down the skirt. Her dress is cinched at the waist with a black sash. The skirt spreads over her settee, which has a low back that angles up on our left. The peach wall behind her takes up the top half of the composition. The painting is created blended brushstrokes, giving it a soft, almost hazy look. The artist’s signature in red appears in the lower right corner: “Degas.”
Artiste
Edgar Degas
Datation
1872/1873
Catégorie
Peinture
Technique
Huile sur toile
Dimensions
72,9 × 92 cm
Collection
National Gallery of Art, Washington
Licence
Domaine public, CC0

Description de l’image

Shown from about the ankles up, a woman with ashen, pale skin, wearing a full, silvery-white dress with gray dots, sits on a low-backed white sofa against a pale peach background in this horizontal portrait painting. Just to our left of center, the woman sits with her body angled to our left and she looks in that direction with pale green eyes. Touches of green shade the inner corners of the eyes, and her complexion has a yellowish cast. Her pink lips are closed and her chestnut-brown hair is parted in the middle and pulled back. Her hands rest in her lap with wrists crossed. The dress darkens from eggshell white on the chest and sleeves to nickel gray on the skirt. Charcoal-gray dots create an irregular pattern that becomes looser as it moves down the skirt. Her dress is cinched at the waist with a black sash. The skirt spreads over her settee, which has a low back that angles up on our left. The peach wall behind her takes up the top half of the composition. The painting is created blended brushstrokes, giving it a soft, almost hazy look. The artist’s signature in red appears in the lower right corner: “Degas.”

Edgar Degas