Salle 16

Indische Malerei 1560–1595

1560–1595, Indien, Mogul- und Pahari-Malerei

Buchmalerei und Albumblätter aus Indien aus den Jahren 1560 bis 1595. Zu sehen sind unter anderem Werke von Bihzad, Basavana, Nur Muhammad und Sanwalah. An den Höfen der Moguln, der Rajputen und im Himalaya-Vorland entsteht eine Malerei voller Farbe und Gold – für Bücher, Alben und Geschichten.

Toutes les œuvres

• Kaiwan, Latif, and Sharif arrive at a house of worship, where they seek help from Khurshid who has become a mystical healer, from a Tuti-Nama (Tales of a Parrot): Thirty-second Night
• The tale of the three men trapped in a cave by a rolling boulder, from a Tuti-nama (Tales of a Parrot): Thirty-second Night
• Khurshid reunited with her husband Utarid, from a Tuti-nama (Tales of a Parrot): Thirty-second Night
• Preparation for the marriage of Mahmuda to the Young Vizier, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
• Hearing her declaration of love, Ayaz falls at the feet of Mahmuda at the holy shrine. The scene is witnessed by Salim, Ayaz’s friend, and a maid, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
• The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
• The two couples reach a foreign city where they make their home, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
• The three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
• The third suitor, who is an archer, shoots the wicked fairy who has imprisoned Zuhra. He rides on a magic horse prepared by the second suitor and is led to the spot by the divining prowess of the first, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
• The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
• The princess discovers the dead bodies, with heads severed, of her husband and his Brahman friend, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night
• The goldsmith judged; the bear cubs trained by the carpenter as though they were his sons, from a Tuti-nama (Tales of a Parrot): Third Night
• The Brahman gives an account of his falling in love with the king of Babylon’s daughter to his friend, the magician, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
• The magician, disguised as a Brahman, visits the king of Babylon, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
• The son of the king of Babylon sees the Brahman transformed into a woman bathing and falls in love with her, from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
• The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth Night
• The king dreams of a lady, the personification of wealth, departing from him on account of his purchasing a bowl and a staff from a yogi, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
• Mahrusa’s marriage to the prefect of the city, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
• The king of Zabul sees Mahrusa from his palace balcony, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
• Mahrusa kills herself at the tomb of the king of Zabul, and her husband does likewise, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night
• The prince, a son of the ruler of Sistan, enters the service of a snake, from a Tuti-nama (Tales of a Parrot): Thirty-seventh Night
• The queen of Rum watches the peahen prefer to burn rather than abandon her eggs while the peacock flees the nest, from a Tuti-nama (Tales of a Parrot): Thirty-ninth Night
• The painting made by the vizier of the emperor of China for the queen of Rum, from a Tuti-nama (Tales of a Parrot): Thirty-ninth Night
• Shahr-Arai and her lover dallying on a bed beneath which is concealed her husband, from a Tuti-nama (Tales of a Parrot): Fortieth Night
• The mendicant’s wife deceives him with a soldier, from a Tuti-nama (Tales of a Parrot): Fourth Night
• Shahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night
• Shahr-Arai and her husband adopt her lover as a brother in the family, from a Tuti-nama (Tales of a Parrot): Fortieth Night
• The gardener seizes and beats a donkey who insisted on braying, while the deer, its companion flees to safety, from a Tuti-nama (Tales of a Parrot): Forty-first Night
• Akrura Drives Krishna and Balarama to Mathura, from the “Isarda Bhagavata Purana”
• Princes hunting in a rocky landscape
• A feast for Babur hosted by his half-brother Jahangir Mirza in Ghazni in May 1505, from a Babur-nama (Memoirs of Babur)
• Dining Scene with European Elements
• Babur meeting with Sultan Ali Mirza at the Kohik River, from a Babur-nama (Memoirs of Babur)
• European Costume Scene
• Portrait of Maharaja Rai Singh of Bikaner (reigned 1574-1612)
• A prince riding a composite elephant
• Layla and Majnun in the wilderness with animals, from a Khamsa (Quintet) of Amir Khusrau Dihlavi
• A prince visiting a holy man in a rocky landscape
• Lovers parting, page from a book of fables
• Lovers Parting, Page from a Book of Fables
• Page of disasters, from the Tarikh-i Alfi (History of the Thousand [Years])
• Page of disasters, from the Tarikh-i Alfi (History of the Thousand [Years])
• Page of disasters, from the Tarikh-i Alfi (History of a Thousand Years)
• Teacher with his Pupil
• The game of wolf-running in Tabriz, from an Akbar-nama (Book of Akbar)
• A pair of Brahminy ducks
• The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian, 1247–1318)