Lady Caroline Howard

Britische Malerei 1657–1778, 1778

A young girl with dark hair and pale skin, wearing a long white dress, kneels on the ground in a hilly, tree-lined landscape in this vertical portrait painting. The girl sits close to us, her body slightly angled to our left as she looks toward and reaches for a rose bush potted in a tall, brown urn along the left edge of the painting. She has pale gray eyes under faint brows and a delicate, pointed nose. Her round cheeks are flushed, and her pink bow lips are closed. Her chestnut-brown hair curls at the neck of her clothing, and bangs cover her forehead under a lacy white bonnet. Light glistens off her lace-edged black cape, which is tied at her throat. The full skirt of her white dress pillows like a cloud on the ground around her legs, and she has a wide, teal-blue sash around her waist. With her right arm, farther from us, she reaches out to touch a pink blossom with a gloved hand. The fingers of the butter-yellow gloves have been folded back. Her other hand rests with exposed fingers in a loose fist in near her knee. Behind her, gently rolling hills are dotted with leafy green trees silhouetted against a stretch of white sky just above the low horizon. Painted in smoky gray, ivory white, and pale, blush pink, the thin clouds against the topaz-blue sky fills the upper two-thirds of the picture. The painting is inscribed with gold paint in the lower right corner: “Lady Caroline Howard” and “Lady Cawdor.”
Artista
Britische Malerei 1657–1778
Datazione
1778
Tipologia
Dipinto
Tecnica
Olio su tela
Dimensioni
143 × 113 cm
Collezione
National Gallery of Art, Washington
Licenza
Pubblico dominio, CC0

Descrizione dell’immagine

A young girl with dark hair and pale skin, wearing a long white dress, kneels on the ground in a hilly, tree-lined landscape in this vertical portrait painting. The girl sits close to us, her body slightly angled to our left as she looks toward and reaches for a rose bush potted in a tall, brown urn along the left edge of the painting. She has pale gray eyes under faint brows and a delicate, pointed nose. Her round cheeks are flushed, and her pink bow lips are closed. Her chestnut-brown hair curls at the neck of her clothing, and bangs cover her forehead under a lacy white bonnet. Light glistens off her lace-edged black cape, which is tied at her throat. The full skirt of her white dress pillows like a cloud on the ground around her legs, and she has a wide, teal-blue sash around her waist. With her right arm, farther from us, she reaches out to touch a pink blossom with a gloved hand. The fingers of the butter-yellow gloves have been folded back. Her other hand rests with exposed fingers in a loose fist in near her knee. Behind her, gently rolling hills are dotted with leafy green trees silhouetted against a stretch of white sky just above the low horizon. Painted in smoky gray, ivory white, and pale, blush pink, the thin clouds against the topaz-blue sky fills the upper two-thirds of the picture. The painting is inscribed with gold paint in the lower right corner: “Lady Caroline Howard” and “Lady Cawdor.”

Britische Malerei 1657–1778