The Times

Thomas Rowlandson, probabilmente 1783

This is a painting depicting allegorical figures engaged in a complex interaction. In the center, a person symbolizing a governing or royal figure is seated on a throne, gesturing outward with a dramatic pose. Flanking this central figure are various allegorical characters such as Liberty holding a pole with a "Liberty" hat and a figure resembling Justice holding scales and a sword. These figures are surrounded by objects and symbols like the British flag, a shield with a cross, and a lion, representing virtues and national identity like "Virtue," "Patriotism," "Public Safety," and the "Voice of the People." Other figures portray trade or commerce, as well as sinister characters suggesting rebellion and chaos. The composition features detailed linework and vivid colors, creating a satirical and political narrative reminiscent of caricature. This painting is in the style of James Gillray, a artist known for his satirical political art in the late 18th and early 19th centuries.
Artista
Thomas Rowlandson
Datazione
probabilmente 1783
Tipologia
Stampa
Tecnica
hand-colored etching
Dimensioni
30,2 × 43 cm
Collezione
National Gallery of Art, Washington
Licenza
Pubblico dominio, CC0

Descrizione dell’immagine

This is a painting depicting allegorical figures engaged in a complex interaction. In the center, a person symbolizing a governing or royal figure is seated on a throne, gesturing outward with a dramatic pose. Flanking this central figure are various allegorical characters such as Liberty holding a pole with a "Liberty" hat and a figure resembling Justice holding scales and a sword. These figures are surrounded by objects and symbols like the British flag, a shield with a cross, and a lion, representing virtues and national identity like "Virtue," "Patriotism," "Public Safety," and the "Voice of the People." Other figures portray trade or commerce, as well as sinister characters suggesting rebellion and chaos. The composition features detailed linework and vivid colors, creating a satirical and political narrative reminiscent of caricature. This painting is in the style of James Gillray, a artist known for his satirical political art in the late 18th and early 19th centuries.

Thomas Rowlandson