The Western Ramparts at Aigues-Mortes

Französische Malerei 1864–1872, 1867

From a sandy beach, we look across a sun-drenched body of water enclosed by a long, sand-colored, crenelated wall in this horizontal landscape painting. The scene is loosely painted, especially in the beach closer to us and in the water, which is a blend of aquamarine blue and honeydew green. The beach has a few areas of celery-green growth. The shoreline stretches away along the left side of the painting, back to an area with emerald-green trees. A few boats, painted with swipes of black and peanut brown, are pulled up to the beach near the trees. Spanning the right two-thirds of the composition, the wall angles away from us so the closest part of the wall is to our right. There is a round, stout tower at the end of the wall to our left and another near the right edge of the canvas, though the wall continues beyond that tower. There is an arched doorway about halfway long the length of the wall. The water is smoothly painted with only a few ripples where the tower to our right reflects in the surface. In the narrow space between the beach to our left and the wall to our right, a few buildings, a windmill, and more trees line the horizon in the distance. The top half of the painting is given over to a topaz-blue sky, with only a few puffy white clouds near the horizon.
Artista
Französische Malerei 1864–1872
Datazione
1867
Tipologia
Dipinto
Tecnica
Olio su tela
Dimensioni
60 × 100 cm
Collezione
National Gallery of Art, Washington
Licenza
Pubblico dominio, CC0

Descrizione dell’immagine

From a sandy beach, we look across a sun-drenched body of water enclosed by a long, sand-colored, crenelated wall in this horizontal landscape painting. The scene is loosely painted, especially in the beach closer to us and in the water, which is a blend of aquamarine blue and honeydew green. The beach has a few areas of celery-green growth. The shoreline stretches away along the left side of the painting, back to an area with emerald-green trees. A few boats, painted with swipes of black and peanut brown, are pulled up to the beach near the trees. Spanning the right two-thirds of the composition, the wall angles away from us so the closest part of the wall is to our right. There is a round, stout tower at the end of the wall to our left and another near the right edge of the canvas, though the wall continues beyond that tower. There is an arched doorway about halfway long the length of the wall. The water is smoothly painted with only a few ripples where the tower to our right reflects in the surface. In the narrow space between the beach to our left and the wall to our right, a few buildings, a windmill, and more trees line the horizon in the distance. The top half of the painting is given over to a topaz-blue sky, with only a few puffy white clouds near the horizon.

Französische Malerei 1864–1872