John Jay

Ritrattistica americana, 1794

Shown from the knees up, a balding, pale-skinned man wearing a voluminous rust-red and black robe sits angled to our right in this vertical portrait painting. The man is clean-shaven, and tufts of ash-brown hair curls around his ears. He looks to our right with gray eyes under slender brows. The tip of his long nose comes to a prominent point, and his wide, thin, pale pink lips are closed. A white, ruffled ascot is tucked into the lapels of a red and black robe edged with silvery white. The fabric has a sheen, suggesting satin or silk. The man’s legs are crossed and covered with inky-black fabric. The man’s right hand, to our left, rests in his lap, and the other rests on the edge of a book propped upright on a table covered in a dusky, dark pink cloth. A muted copper-red curtain hangs to the left, and a column and its base is outlined against the parchment-brown wall behind him. The portrait is loosely painted with some visible strokes, especially in the costume and background.
Artista
Ritrattistica americana
Datazione
1794
Tipologia
Dipinto
Tecnica
Olio su tela
Dimensioni
131 × 102 cm
Collezione
National Gallery of Art, Washington
Licenza
Pubblico dominio, CC0

Descrizione dell’immagine

Shown from the knees up, a balding, pale-skinned man wearing a voluminous rust-red and black robe sits angled to our right in this vertical portrait painting. The man is clean-shaven, and tufts of ash-brown hair curls around his ears. He looks to our right with gray eyes under slender brows. The tip of his long nose comes to a prominent point, and his wide, thin, pale pink lips are closed. A white, ruffled ascot is tucked into the lapels of a red and black robe edged with silvery white. The fabric has a sheen, suggesting satin or silk. The man’s legs are crossed and covered with inky-black fabric. The man’s right hand, to our left, rests in his lap, and the other rests on the edge of a book propped upright on a table covered in a dusky, dark pink cloth. A muted copper-red curtain hangs to the left, and a column and its base is outlined against the parchment-brown wall behind him. The portrait is loosely painted with some visible strokes, especially in the costume and background.

Ritrattistica americana