Sala 141

Britische Grafik 1790–1796

1790–1796, Großbritannien, Klassizismus

Zeichnungen, Aquarelle und Druckgrafik aus Großbritannien aus den Jahren 1790 bis 1796. Zu sehen sind unter anderem Werke von Francesco Bartolozzi, James Gillray, John Downman und Isaac Cruikshank. Mit dem Klassizismus kehren klare Linien und Vorbilder aus der Antike zurück; zugleich entstehen Bildnisse einer neuen bürgerlichen Welt.

Tutte le opere

• The Head of Ullswater
• A London Character
• The Knight of the Woeful Countenance Going to Extirpate the National Assembly
• Marie Antoinette d'Autriche Reine de France
• Portrait of a Woman
• Mawddach Falls near Dolgelly
• Frederick North, Later Fifth Earl of Guilford, in Rome
• Cetara on the Gulf of Salerno
• The Mid-Day Meal
• The White Horse
• Wierd-Sisters; Ministers of Darkness; Minions of the Moon
• Portrait of a Woman in Profile
• Portrait of a Woman with a Blue Sash
• The Erpingham Gate, Norwich
• Lady Caroline Wrottesley
• Young Lady with a Pink Bow on Her Bodice
• Sir Henhy Guldeford
• French Liberty and British Slavery
• Sin, Death, and the Devil, vide Milton
• George Mills
• Sir Thomas Wyatt
• A Chinese Peasant Selling Betel
• Milk below Maids
• Two Bunches a Penny, Primroses
• The Alpine Vulture
• The Martyr of Equality
• Sir Thomas Elyot
• Lord Rich
• Do You Want Any Matches?
• Sweet China Oranges
• Mary Wood
• Young Lady with a White Bow on Her Head
• Waramus Arch Bishop of Canterbury
• Wooded Landscape with Figures outside a Cottage
• A Scene in an Historical Play Exhibited on the Chinese Stage
• Round and Sound, Five Pence a Pound, Duke Cherries
• New Mack'rel
• Fresh Gathered Peas, Young Hastings
• Old Chairs to Mend
• Knives, Scissors and Razors to Grind
• Strawberries, Scarlet Strawberries
• The Bachelor
• The Married Man
• Landscape
• Landscape with Farm Animals
• New Suite of Portfolios of Flowers Ideal to Use for Designing and Painting: Floral Fantasies