The Artist's Son, Paul

Paul Cézanne, 1886–1887

Shown from the waist up, pale-skinned young man wearing a bowler hat looks at us from the corners of his eyes in this vertical portrait painting. His body is angled to our right, and he cuts his dark eyes back to look at us, his lips pursed. He has a wide face, round cheeks, and a narrow chin. His white lapels are flipped up, and he wears a buttoned blue jacket. The black bowler hat seems a little too small for his head. The man and setting are painted with areas of mottled, streaked color. For instance, his peachy face is shaded with visible strokes of slate blue. His white collar is a blend of ice blue and frosty green, and his jacket is built up with daubs and strokes of marine blue, moss green, and gray. The white of the canvas underneath shows through in some areas, especially in the jacket. The wrist of one hand resting in the man’s lap is visible, and the back rail of the wooden chair in which he sits peeks out past the shoulder to our left. The wall behind him is painted loosely with the suggestion of a diamond pattern in laurel and olive green, parchment brown, rust orange, and muted blue. A rail or frame running close and parallel to the right edge of the canvas is patterned with elongated red teardrop shapes outlined by white, against a celestial-blue background.
작가
Paul Cézanne
연대
1886–1887
종류
Painting
기법
oil on canvas
크기
65.3 × 54 cm
소장처
National Gallery of Art, Washington
라이선스
퍼블릭 도메인, CC0

이미지 설명

Shown from the waist up, pale-skinned young man wearing a bowler hat looks at us from the corners of his eyes in this vertical portrait painting. His body is angled to our right, and he cuts his dark eyes back to look at us, his lips pursed. He has a wide face, round cheeks, and a narrow chin. His white lapels are flipped up, and he wears a buttoned blue jacket. The black bowler hat seems a little too small for his head. The man and setting are painted with areas of mottled, streaked color. For instance, his peachy face is shaded with visible strokes of slate blue. His white collar is a blend of ice blue and frosty green, and his jacket is built up with daubs and strokes of marine blue, moss green, and gray. The white of the canvas underneath shows through in some areas, especially in the jacket. The wrist of one hand resting in the man’s lap is visible, and the back rail of the wooden chair in which he sits peeks out past the shoulder to our left. The wall behind him is painted loosely with the suggestion of a diamond pattern in laurel and olive green, parchment brown, rust orange, and muted blue. A rail or frame running close and parallel to the right edge of the canvas is patterned with elongated red teardrop shapes outlined by white, against a celestial-blue background.

Paul Cézanne