Room 161
James McNeill Whistler
1834–1903, USA (Lowell), France (Paris), England (London), Aestheticism
Whistler grew up in Massachusetts and St Petersburg and lived in Paris and London. “Art for art’s sake” was his motto: he called his pictures “symphonies”, “arrangements” and “nocturnes”, as if they were pieces of music. His etchings of the Thames and of Venice are among the finest of the nineteenth century.
All works
- Symphony in White, No. 1: The White Girl
- Battersea Reach
- Wapping
- Mother of Pearl and Silver: The Andalusian
- George W. Vanderbilt
- Gold and Brown: Self-Portrait
- Grey and Silver: Chelsea Wharf
- Alice Butt
- Alexander Arnold Hannay
- Two Sketches of Landscape Pictures hung at the Society of British Artists
- Sketch of Mrs. Godwin's Portrait when hung at the Society of British Artists
- Sketch of Maud
- Miss Cumberlege
- At Sea
- Rotherhithe
- Jo's Bent Head
- Jo
- Nocturne
- The Boy (Charlie Hanson)
- Nocturne
- Florence Leyland
- Reading
- Isle de la Cité, Paris
- Draped Figure, Reclining
- The Sisters
- Red House, Paimpol
- The Smith's Yard
- Evening, Little Waterloo Bridge
- Charing Cross Railway Bridge
- The Fair
- The Balcony
- Savoy Pigeons
- Little Dorothy
- The Smith, Passage du Dragon
- Vitré: The Canal
- La Jolie New Yorkaise
- Seated Woman with Red Hair
- The Palace; white and pink
- Harper Pennington
- The Church of San Giorgio Maggiore
- Village Shop, Chelsea
- Study in Black and Gold (Madge O'Donoghue)
- Violet [Note?]...The Return of the Fishing Boats
- Beach Scene
- Drury Lane Rags
- Figure Study in Colors
- Draped Figure, Standing
- Nude Model, Back View
- Draped Figure, Standing
- Draped Figure, Reclining
- Lady and Child
- Red House, Paimpol
- Yellow House, Lannion
- Marsh in Zeeland