French Theater

Honoré Daumier, c. 1856

This painting shows a crowd of seated people facing the right, mostly seen from the waist up. The people are seated in rows of red seats, and closest to us is a row of four people. In the bottom left corner is a child with very short dark hair and a dark brown coat over a white collar. To the right is a woman with dark hair in an updo and adorned with what looks like a blue ribbon, and she wears a dark dress with a white ruffled collar and white cuffs. Next to her is a man with a mustache and balding head, dressed in a formal dark suit. To the far right is another woman with a light blue-gray dress or coat and short, light-colored hair with a bow or ribbon. More people are partially visible in the rows behind, but their features become increasingly soft and blurred towards the background. All of the people appear to have light skin, although some of the people on the left side and in the back appear to be in shadow, making it ambiguous.
Artist
Honoré Daumier
Date
c. 1856
Type
Painting
Medium
oil on wood
Dimensions
25.9 × 35 cm
Collection
National Gallery of Art, Washington
Licence
Public domain, CC0

Image description

This painting shows a crowd of seated people facing the right, mostly seen from the waist up. The people are seated in rows of red seats, and closest to us is a row of four people. In the bottom left corner is a child with very short dark hair and a dark brown coat over a white collar. To the right is a woman with dark hair in an updo and adorned with what looks like a blue ribbon, and she wears a dark dress with a white ruffled collar and white cuffs. Next to her is a man with a mustache and balding head, dressed in a formal dark suit. To the far right is another woman with a light blue-gray dress or coat and short, light-colored hair with a bow or ribbon. More people are partially visible in the rows behind, but their features become increasingly soft and blurred towards the background. All of the people appear to have light skin, although some of the people on the left side and in the back appear to be in shadow, making it ambiguous.

Honoré Daumier